A weblog following developments around the world in FRBR: Functional Requirements for Bibliographic Records.

Maintained by William Denton, Web Librarian at York University. Suggestions and comments welcome at wtd@pobox.com.


Confused? Try What Is FRBR? (2.8 MB PDF) by Barbara Tillett, or Jenn Riley's introduction. For more, see the basic reading list.

Books: FRBR: A Guide for the Perplexed by Robert Maxwell (ISBN 9780838909508) and Understanding FRBR: What It Is and How It Will Affect Our Retrieval Tools edited by Arlene Taylor (ISBN 9781591585091) (read my chapter FRBR and the History of Cataloging).

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Indiana U Variations3: new metadata model

Posted by: William Denton, 13 September 2007 7:47 am
Categories: Music

From the news page about Variations 3, “an integrated digital library and learning system for the music community:”

A new report, Definition of a FRBR-based Metadata Model for the Indiana University Variations3 Project, is now available for review. This report defines, for the purposes of discussion, what a FRBR-based metadata model for digital musical audio recordings, bitmapped score images, and encoded score notation would look like. Please send comments to Jenn Riley.

In an announcement sent to a mailing list for music librarians, Jenn Riley said, “The Indiana University Variations2 and Variations3 projects use a work-based metadata model for discovery of musical sound recordings, scanned score images, and encoded score notation files. This model has been described as ‘FRBR-like’ and is mentioned in various discussions of FRBR-based systems, but it is not technically a FRBR implementation.”


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